1 00:00:19,099 --> 00:00:16,340 historic events symbols that captured 2 00:00:21,890 --> 00:00:19,109 the energy emotional drama of America's 3 00:00:25,519 --> 00:00:21,900 aeronautics and space program had been 4 00:00:27,170 --> 00:00:25,529 the essence of 26 years of art generated 5 00:00:30,550 --> 00:00:27,180 by artists who have had an opportunity 6 00:00:33,380 --> 00:00:30,560 to experience these events Thursday 7 00:00:35,510 --> 00:00:33,390 NASA's art program continued this 8 00:00:37,460 --> 00:00:35,520 tradition recently by commissioning a 9 00:00:39,980 --> 00:00:37,470 music 10 00:00:42,620 --> 00:00:39,990 and several other artists their 11 00:00:48,090 --> 00:00:42,630 assignment document the return to flight 12 00:00:54,130 --> 00:00:51,520 artists sketched photographed and even 13 00:00:56,860 --> 00:00:54,140 sampled sounds during the launch and 14 00:00:59,350 --> 00:00:56,870 landing of shuttle Discovery collecting 15 00:01:01,570 --> 00:00:59,360 ideas for what later became detailed 16 00:01:07,780 --> 00:01:01,580 brush strokes for illustrator wendell 17 00:01:10,810 --> 00:01:07,790 minor dyed fabric for angela mono or a 18 00:01:14,859 --> 00:01:10,820 montage of airbrushed impressions for 19 00:01:17,410 --> 00:01:14,869 michael comedian in all six artists 20 00:01:19,749 --> 00:01:17,420 steeped in various traditions took in 21 00:01:22,510 --> 00:01:19,759 the shuttle experience and created 22 00:01:26,710 --> 00:01:22,520 images that depict america's return to 23 00:01:29,170 --> 00:01:26,720 space the seventh artist Jane IRA 24 00:01:36,100 --> 00:01:29,180 bloomin captured her impressions in 25 00:01:36,980 --> 00:01:36,110 music Jane is a new york-based soprano 26 00:01:39,440 --> 00:01:36,990 sax 27 00:01:42,410 --> 00:01:39,450 Stan composure and has been a space 28 00:01:45,109 --> 00:01:42,420 enthusiasts for many years she enjoys 29 00:01:48,740 --> 00:01:45,119 writing music about events that visually 30 00:01:51,289 --> 00:01:48,750 inspire and challenger how could I I 31 00:01:54,080 --> 00:01:51,299 communicate the feeling without pointing 32 00:01:55,999 --> 00:01:54,090 to it without actually saying here's 33 00:01:58,010 --> 00:01:56,009 what a launch sounds like how can I make 34 00:02:00,679 --> 00:01:58,020 people feel what you feel like when you 35 00:02:03,560 --> 00:02:00,689 hear hear it as part of the process 36 00:02:06,770 --> 00:02:03,570 James spent time rehearsing ideas with 37 00:02:08,210 --> 00:02:06,780 fellow artists in New York early on Jim 38 00:02:09,889 --> 00:02:08,220 realized that she didn't want to 39 00:02:12,979 --> 00:02:09,899 approach the music as a floor 40 00:02:16,970 --> 00:02:12,989 synthesizer school instead she found 41 00:02:20,180 --> 00:02:16,980 other forms of expression I think it's a 42 00:02:23,720 --> 00:02:20,190 greater challenge to find new sounds and 43 00:02:27,530 --> 00:02:23,730 to find even new new uses of live 44 00:02:30,289 --> 00:02:27,540 electronics impelled by the players and 45 00:02:32,420 --> 00:02:30,299 held by the people because I started to 46 00:02:34,039 --> 00:02:32,430 see when they when the musicians got 47 00:02:37,250 --> 00:02:34,049 involved in experimenting with this 48 00:02:38,930 --> 00:02:37,260 docker like spinning idea suddenly the 49 00:02:42,380 --> 00:02:38,940 music took on a life of its own because 50 00:02:45,259 --> 00:02:42,390 the musicians embrace it and made it 51 00:02:46,849 --> 00:02:45,269 come alive and in jazz we say it though 52 00:02:52,240 --> 00:02:46,859 the you know the bandstand starts to 53 00:02:58,030 --> 00:02:55,090 Jane spent hours riding in her studio 54 00:03:00,820 --> 00:02:58,040 preparing for a live concert at NASA's 55 00:03:03,110 --> 00:03:00,830 Kennedy Space Center floor it was 56 00:03:05,180 --> 00:03:03,120 performed exactly one 57 00:03:10,390 --> 00:03:05,190 the space shuttles going to try and 58 00:03:17,059 --> 00:03:14,809 there's a new sites inside wine which 59 00:03:19,780 --> 00:03:17,069 are